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When an Earth mission arrives on Altair IV, they find that Dr. Edward Morbius and his beautiful daughter Altaira are the only survivors from the original expedition that had arrived some 20 years before. Morbius isn't exactly pleased to see them and would have preferred that they not even land their spaceship. He does his best to get them on their way but Commander Abrams and his men soon face an invisible force leading them to believe that Morbius and the girl are in danger. Morbius claims to know nothing of other life on the planet but does reveal there once existed a far superior race, now extinct, that left a huge subterranean industrial and scientific complex.
When Adams and his crew are sent to investigate the silence from a planet inhabited by scientists, he finds all but two have died. Dr. Morbius and his daughter Altaira have somehow survived a hideous monster which roams the planet. Unknown to Adams, Morbius has made a discovery, and has no intention of sharing it (or his daughter!) with anyone.
This movie has an excellent plot, and, for its day, outstanding special effects.<br/><br/>The flaws are minor: a goofy love story, and distracting sound effects. Apparently, somebody had an early version of the Moog Synthesizer and uses it to produce background noise that adds nothing to the movie and, indeed, distracts from what is going on.<br/><br/>An added bonus is seeing Leslie Nielson in a dramatic role.
In the 23rd century, a military relief spaceship is sent to the remote planet of Altair IV to check on a group of colonists. When they arrive, they discover the sole survivors are the reclusive Dr Morbius and his daughter Altaira. What happened to the rest of the party and what dark secrets is Morbius keeping ?<br/><br/>Forbidden Planet is the gem of fifties science fiction cinema. Much like the character of Altaira herself, it is beautiful, innocent, charming and mysterious, an outstanding revision of Shakespeare&#39;s The Tempest set in outer space, with a terrific story, fantastic sets, great special effects and fabulous atmosphere. Produced by MGM, and shot in Cinemascope and Eastmancolor, it looks sensational from start to finish, with amazing sets by Cedric Gibbons and Arthur Lonergan full of snazzy futuristic lines, incredible props, unearthly browns and greens - it really does feel like another world. And while it might seems a bit corny, with its flying saucer, ray guns and clockwork Robby The Robot, these only add to its charm. The sequence where Pidgeon leads Nielsen and Stevens through the spaces of the huge Krell thought generator is simply stunning, and the central motif of the Caliban / invisible id monster borne out of Morbius&#39; rage and misanthropy is brilliant, especially in the unforgettable scene where it attacks the ship. This movie pioneered many techniques for sf/horror films, particularly the clever use of animation and matte paintings, and the amazing electronic score by husband-and-wife Louis and Bebe Barron, which is totally inseparable from the images in the way all great scores are. Whilst the characters may be a bit simplistic at times the cast are terrific; Nielsen is authoritative in a rare heroic lead role, Francis is achingly gorgeous, and Pidgeon is a fine tortured Prospero, unable to save himself from his own monstrous ego - &quot;My evil self is at that door and I have no power to stop it !!&quot;. Brilliantly written by Cyril Hume, and finely crafted by director Wilcox, this is arguably the best of all the stylish and influential films of the fifties sci-fi boom, and fabulous fun entertainment throughout. Trivia - Robby, physically played by Darro and memorably voiced by Miller, reappeared the following year in the kids fantasy film The Invisible Boy, and has small roles in several TV shows and movies (notably The Twilight Zone and Lost In Space).

Spaceship Commander J.J. Adams (<a href="/name/nm0000558/">Leslie Nielsen</a>) and his crew are sent to Altair-4 to discover what happened to a colony of settlers. What they find is two survivors – Dr Edward Morbius (<a href="/name/nm0682074/">Walter Pidgeon</a>) and his daughter Altaira &#39;Alta&#39; (<a href="/name/nm0004282/">Anne Francis</a>) – living in a paradise created by Morbius using secrets from the Krell, a long-lost civilization that once inhabited the planet. Soon after their arrival, the crew faces an invisible force that puts them all in danger. Forbidden Planet was filmed from a screenplay by American screenwriter Cyril Hume, who based his script on a screen story by American writers Irving Block and Allen Adler, who based their story on elements of William Shakespeare&#39;s play, The Tempest. The movie was subsequently novelized as Forbidden Planet (1956) by English author Philip MacDonald, writing under the pseudonym W.J. Stuart. No specific date is given in the film. The opening narration says only that men and women in rocket ships landed on the moon in the final decade of the 21st century (in the 2090s) and that they reached the other planets of our solar system by 2200. Thereafter followed the discovery of hyperdrive (through which the speed of light was first attained) and from there began the conquest and colonization of deep space. It also states that the spaceship Bellerophon was marooned on Altair 4 some 20 years earlier when it was sent out to establish a colony. Given time to develop hyperdrive and to begin colonization, plus the 20 years following the marooning, the story most likely takes place in the 23rd century. According to the foreword in the novelization, the C-57-D mission was launched from Earth via the Moon on the seventh of Sextor, 2371. Back cover of same also says A.D. 2371. Since it took 10 years for the C-57-D to reach Altair 4, the story takes place in the year 2381. Actually, Altair is a sun, the brightest star in the constellation Aquila and located 16.8 light-years (5.14 parsecs) from Earth. It is the 12th brightest star visible in the night sky. The planetary designation of Altair 4 means that the story is set on the fourth planet in the Altairan solar system. No. Stuntman <a href="/name/nm0201660/">Frankie Darro</a> was inside the robot. Robbie&#39;s voice was provided by voice-over actor <a href="/name/nm0588922/">Marvin Miller</a>. Most viewers conclude that the tiger attacked Alta because she was wearing a long dress and/or had just enjoyed an erotic kiss with Commander Adams. In the novelization, as well as in a deleted scene, it is explained that the tiger was tamed by Alta because of her sexual innocence, similar to the mythological concept of virgins having special power to tame unicorns and other wild beasts. Following the kiss between Alta and Adams, Alta&#39;s sexual awakening changed her in such a way that the tiger became aggressive towards her, just as it would have toward any other human. As Morbius describes it, the id is &quot;an obsolete term once used to describe the elementary basis of the subconscious mind.&quot; As defined by Austrian neurologist and psychoanalyst Sigmund Freud [1856-1939], the id is one of three structures of the human psyche, the id being the part of the psyche that is subconscious and the source of primitive instinctive impulses and drives. The second structure, the ego, contains consciousness and memory and is involved with control, planning, and conforming to reality. The third structure, the superego, is the part of the mind that acts as a conscience to the ego, developing moral standards and rules through contact with parents and society. The Three Laws of Robotics are a set of three rules written by science fiction author <a href="/name/nm0001920/">Isaac Asimov</a> and later expanded upon. They are: (1) A robot may not injure a human being or, through inaction, allow a human being to come to harm, (2) A robot must obey any orders given to it by human beings, except where such orders would conflict with the First Law, and (3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. These rules are built in to almost all positronic robots appearing in his fiction and cannot be bypassed. The rules are introduced in his 1942 short story &quot;Runaround&quot; although they were foreshadowed in a few earlier stories, including &quot;Robbie&quot; (1940). Commander Adams convinces Dr Morbius that the Id monster is of his own creation and that, if he doesn&#39;t admit this to himself, the monster will kill everyone, including Alta. As the monster begins burning through the nearly indestructible door of the Krell laboratory where Adams, Alta, and Morbius have taken refuge, Morbius screams, &quot;I deny you…I give you up!&quot; and collapses on the floor. As he lies dying, Morbius tells Adams to throw a switch, then informs him that, in 24 hours, they must be 100 million miles away in space because an irreversible chain reaction will overload the Krell&#39;s nuclear reactors and blow up the planet. In the final scene, Alta, the Commander, Robbie, and the remaining crewmen are back aboard their spaceship, heading back to Earth. On the main viewplate, they watch Altair 4 explode. Holding Alta in his arms, Commander Adams assures her that, a million years from now, the human race will have crawled up to where the Krell stood in their great moment of triumph and tragedy and that her father&#39;s name will shine once again. &quot;It will remind us&quot;, he adds, &quot;that, after all, we are not God.&quot;
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